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Songwriting Software Express, Issue # 23 - Get Off To A Sound Start December 31, 2004 |
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To help your songwriting with a focus on the benefits of innovative songwriting software, tools, resources and programs for your songwriting craft and career. From Songwriting Software Plus - December, 2004 For
the latest updates to Songwriting Software Plus To search Songwriting Software Plus or the Web via Google click here.
Hello First up; Editor's Note (from the laptop of Robert Curtis) Followed by Items: 1. Audio Interfaces (Including
Sound Cards) Simplified For Song Production Editor's Note: First of all Happy New Year to all - even if you're not on the Roman calendar. Any festive occasion is good reason to celebrate in my book. So to help you off to a sound start in the coming year - in this issue I want to talk about a key hardware component that is crucially important to getting good sound production from your recording efforts - namely the sound card or audio interface. You can have the best software in the world but without the right sound processing hardware you won't get to hear it's full potential. Also I have the pleasure of introducing a new regular songwriting tip column to the newsletter with guest songwriter Evyn Charles dishing out bite size tips to help your songwriting in all aspects. His column is entitled One Minute To Better Songwriting and you can tune in to his column starting today.
Audio Interfaces (Including Sound Cards) Simplified For Song Production There is quite often a lot of confusion surrounding the key part of computer hardware for sound production. I found this to frequently be the case with sound cards and audio interfaces. For the purposes of discussion the term audio interface has come to apply to all sound processing hardware components and is now being subdivided by what actually powers and connects the device such as a usb connection or firewire for example. However, to keep things more basic we'll talk in terms of where the sound processor is located - the sound card (also called a PCI audio interface today) being in your computer and all other types of audio interfaces - outside. It's real easy to get lost in all the techno jargon at the music store or even at online stores. So a little basic education to get started hopefully will set the foundation from which to build upon your sound knowledge :) In particular for computer based songwriting and production - knowing the basics of sound cards or audio interfaces and how they can affect the sound of your songs will make you better able to see how to get better sound out of your computer. Also seeing how they provide a place to hook up your equipment will also help you decide better what most suits your needs. Having better sound processing than what typically comes with the average computer can make a big difference in what you actually hear coming out of your recording efforts. I'm not just talking incrementally better sound either. I'm talking what can be a very noticeable difference from what may sound kind of cheap and tin can-ish to something that sounds like a live orchestra. Speakers play a part here too and we'll touch on them briefly towards the end of this article. Also note there is one other major issue with computer generated sounds and it is called latency. Latency is the time it takes for sound to go from the source, like the playing of a note on a midi piano keyboard hooked up to your computer, to the time it actually comes out of your computer speakers. Generally speaking the lower the quality of your sound card or audio interface the slower the sound is processed, in other words the greater the latency. Today's sound cards and audio interfaces often have reduced latency time to zero and that's what you want. Let's Better Define A Sound Card
Sound cards process and transmit music and or multimedia sound effects to your stereo or computer speakers. If your speakers are not built-in there will be hole, called a jack, on the front, side or back or your computer that allows you to plug in headphones or a line to external computer speakers so you can hear the sound being played. There also will typically be a jack to provide the ability to record through what are called line inputs that accept the line from a microphone for example. This is all pretty basic and you can see these jack openings on the left side of the sound card pictured to the right. When you're venturing into song production on your computer you're likely going to want more than just these basic features though. It's quite possible you'll also want the ability to hook up midi instruments, like a piano type keyboard, up to your sound card and typical sound cards that come with off the shelf computers don't have jacks for midi lines. However, a lot of today's midi based instruments can hook up to your computer and sound card through a usb connection or firewire connection so if you have a newer computer (a few years or less old) then you may have that option. But even if you can hook up to the usb port the sound that will be produced on the typical built in sound card may not have a very realistic or satisfying sound. To sum up for the moment - most standard sound cards are not satisfactory to the ears of songwriters and accordingly you may very well want to get a better sound card. This is where you'll be faced with the choice of getting another internal sound card (a PCI audio interface) or going to an external audio interface which is usually just called an audio interface. Or to call it an external audio interface makes it more clear that you're referring to a hardware component that will go outside of your computer. Let's Break Down The External Audio Interface
Of course once an item no longer needs to be designed to fit inside your computer it opens up a lot of possibilities for size and function. This affords an external audio interface the ability to offer more features of course and for one you get the option of having more types of things you can readily plug into it. For example, on the Edirol UA-3 (pictured to the right) that I use, you can hook up a microphone, a guitar or other wired acoustic instrument or even an electric one, and you can have an external audio device hooked up as well like a cassette or cd player or even a mixer board. Additionally there is an output that runs to either headphones or to a set of external monitors (speakers). Also you can hook up an external digital device and this particular unit is conveniently powered by a usb connection that would hook into one of your computer's usb connectors. This unit does not have midi in and out ports but you can find those included on other audio interface models if you need them. As you can see having your "sound card" outside of your computer opens a whole host of possibilities that are otherwise often less available and more costly when the card has to fit into your computer. A Quick Word About Laptops If you have a laptop and you're looking to upgrade to a better sound device you'll probably have to get an external audio interface as it's usually not readily feasible or practical to replace an existing sound card in a laptop. I had this very experience recently when I considered upgrading the sound card in my Dell Inspiron 5100 laptop and was told by Dell that it couldn't be done. You could also use a PCMCIA slot type sound card but bear in mind because of its size it will have limited space available to hook up various other devices like your piano keyboard for example. A Brief Word About Speakers In spite of everything I've said about sound cards and audio interfaces you'll still need to have good speakers to hear the quality. It is recommended in particular that you need to use powered monitors (powered speakers) as generally that extra power is required for optimum sound. And not powered by your computer but rather speakers that you have to plug into an electrical outlet. Some Good Sound Card and Audio Interface Models To Consider It has been well reviewed and brought a lot of prior high-end capabilities down under $100 for the first time. If you decide an external audio interface is what you'd prefer, pretty much a given if you're a laptop user, then I can certainly vouch for the UA-3 above that I use. Indeed the Edirol line in general is highly regarded (now owned by the very reputable Roland company) and has a great variety of audio interfaces for various needs.
For example you might need a model that also accommodates midi in and out jacks and that is provided for by a model like the Tascam US122 audio interface pictured to the right.
To capture song ideas on the go - it's a good idea to always have a pen and paper handy for lyrical ideas and even musical ideas if you know how to notate music. In Nashville writers are known to carry around notepads of various sorts that are referred to as hook-books. The famed writer and singer John Fogerty of Credence Clearwater Revival use to do just this. He'd write titles into his hook-book that he often didn't develop into songs until years later. Had he not done this he might have lost some gem ideas. For a musical idea going through your head, that you could hum or sing, have a portable tape recorder handy or a portable digital recorder. These make it easy to save the idea before you forget it in the busyness of your day. And an advantage of today's digital recorders is that you can later load them into your computer at home and organize them into a file of song ideas to develop. Of course no mater the type of recorder you prefer they both work great for musical sketches and to note title and lyric line ideas too. They can even replace pen and paper depending on your needs and style. You might say that either cassette or digital recorders could be considered electronic "hook-books". See ya next issue. Evyn Charles is a full time independent singer-songwriter and musician in Los Angeles and a graduate of the prestigious Berklee College of Music in Boston. In addition to regularly performing his own material he's played stints as varied as Club Med to currently being heard on the Orville Redenbacher popcorn commercial as well as playing with numerous classic touring acts. He is also
author of From Guitar Owner To Guitar Player - the no fluff guide
to playing guitar readily geared to songwriters. Click
here to learn more about From Guitar Owner To Guitar Player and check out
Evyn's own site by
clicking here.
"Mistakes are merely steps up the ladder…" - Paul
J. Meyer
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Songwriting Software Express is published monthly by Songwriting Software Plus: Robert Curtis, Editor.
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