This
is an introduction to the “language” in which most musicians communicate.
The musical “alphabet”
consists of 12 tones.
The closest distance between
two tones is a HALF-STEP, corresponding to 1 fret on the guitar neck. As you
might guess, two half-steps make up a WHOLE STEP. Since there are 12 tones
in music, and each tone corresponds to a guitar fret, notes on the 12th fret
of the guitar neck have the same names as the open strings: E, A, D, G, B
and E!
NOTES are the names of
the tones sounded or sung. The seven letters A, B, C, D, E, F and G are used
to describe those tones. Since there are 12 tones in the traditional musical
scale but only seven letters to describe them, SHARPS AND FLATS are used to
raise or lower notes by a half-step, respectively. For example, Db is one
half-step lower than D; F# is one half-step higher than F.
SCALES are a way to subdivide
the octave (see OCTAVE-below); an arrangement of succeeding letter notes.
For instance, A followed by B followed by C, etc. These arrangements are not
random, but follow fixed formulas of whole steps and half-steps.
KEYS determine what notes
belong in the scale. For example, the key of D major will always contain an
A and an F# note, among others, but never an Ab or F natural. (“Natural” means
neither sharp not flat).
Just as letters of the
alphabet can be found in any word, notes can be part of more than one scale,
but scales are always made up of the same notes. For example, the F# note
also belongs in the G scale among others.
An OCTAVE is an 8-note
span between two notes in the same traditional scale. These two notes share
the same name. For example, if you start on G and go up (or down) the scale
(G, A, B, C, D, E, F#), you will invariably end up on another G eight notes
away from where you started. The two Gs are an octave apart. They sound similar
but one is higher than the other.
The same note played by
two instruments is not called an octave, but rather a UNISON.
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